Книги з мистецтва та культури у країнах світу

A festival of Indian folk rituals and costumes bursting with colour, captured by renowned photographer Charles Fréger, the creator of a distinctive and powerful new genre of portrait photography.

Internationally renowned photographer Charles Fréger continues to explore global traditions and cultures, by celebrating the powerful visual aspects of Indian folk culture and religious ritual. India is the home to a myriad of local traditions, legends and religions, each with their own festivals, rites and rituals. Celebrations burst with vivid colours and often wildly exuberant costumes, some representing gods and goddesses, others legendary heroes from Sanskrit epics such as the Mahabharata and the Ramayana.

In Charles Fréger’s photographs, those who honour local cultural traditions are represented in single or group portraits, represented against carefully chosen landscapes and backdrops, from the heart of festivals and celebrations. Fréger’s unmistakable style of portraiture allows us to admire the complexity of their adornments – masks and headdresses, costumes and body paint – and to consider the abundance of imagination that expresses India’s countless stories and characters, both human and divine.

This spectacular gathering of warrior figures, deities, musicians, tigers, mahouts, epic characters and their avatars is accompanied by texts setting the huge variety of eclectic costumes in context, and describing the local festivals and rituals. This compelling sequence of new portraits will enthral those with an interest in folk traditions, as well as the followers of this internationally acclaimed photographer.

About the Authors:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Portraits in Lace: Breton Women (2015), Yokainoshima: Island of Monsters (2016) and Cimarron: Freedom and Masquerade (2019), all published by Thames & Hudson. Anuradha Roy is a novelist and journalist living in northeast India. Catherine Clément is a philosopher, critic and feminist.

A survey of the full breadth and complexity of Mexican art history, ranging widely across genres and offering new interpretations of painting, sculpture, architecture, prints and photographs

This new interpretive history of Mexican art and architecture from the Spanish Conquest to the early decades of the twenty-first century is the most comprehensive introduction to the subject in fifty years.

The author ranges widely across media and genres, offering new readings of paintings, murals, sculptures, buildings, prints and photographs. He interprets major works by such famous artists as Diego Rivera and Frida Kahlo, but also discusses less familiar figures who were equally important in the construction of national identity.

The story of Mexican art is set in its rich historical context by the book’s treatment of political and social change. The author draws on recent scholarship to examine crucial issues of race, class and gender, including an exploration of the work of indigenous artists during the colonial period, and of women artists in the nineteenth and twentieth centuries.

Throughout, Oles shows how artists in Mexico participated in local and international developments, and highlights the important role played by Mexicans in the art world of the last five centuries.

Contents List:

Introduction • Chapter 1: Conquest and Negotiation 1520–1600 • Chapter 2: Art for the New Cities 1550–1700 • Chapter 3: Baroque Splendor under the Bourbons 1700–1810 • Chapter 4: From Neoclassicism to Romanticism 1750–1850 • Chapter 5: National Identity: History, Landscape, Citizens 1840–80 • Chapter 6: From the Porfiriato to the Revolution 1880–1920 • Chapter 7: From Revolution to Renaissance 1920–34 • Chapter 8: Political and Personal Dreams 1934–46 • Chapter 9: Construction and Rebellion 1946–72 • Chapter 10: From the Olympics to Neo-Mexicanism 1968–94 • Chapter 11: Contemporary Art

About the Author:

James Oles is Senior Lecturer in Art at Wellesley College, Massachusetts, and adjunct curator of Latin American art at the college’s Davis Museum and Cultural Center.

Charles Fréger explores the masks, costumes and characters created by the descendants of Africans and indigenous peoples in the Americas

All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities.

Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern USA, elaborate masquerades are staged that celebrate and keep alive the memory of African slaves and their descendants. Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters – ropes, sticks, guns and machetes. These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations.

Charles Fréger’s work has established a large and growing following among connoisseurs of contemporary photography, defining a new genre of documentary portraiture that extends and deepens our sense of the human past and the present.

Table of Contents:

Introduction • The Photographs • Cimarron: Slavery, Freedom and Ritual Masquerade, Krystel Gualde • Description of characters and groups, Ana Maria Ruiz

About the Authors:

Charles Freger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann, Portraits in Lace and Yokainoshima.

Ishmael Reed is the author of numerous bestselling novels, including the critically acclaimed Mumbo Jumbo and Conjugating Hindi. Two of his novels have been nominated for National Book Awards, and his poetry has been nominated for the Pulitzer Prize.

The Boy King’s Journey through the Underworld. Tutankhamun’s royal voyage into paradise, as told by ancient Egyptian treasures

Since the ’90s, Sandro Vannini has created complete photographic reproductions that reveal murals and artifacts in unprecedented detail. Marking the centenary of Howard Carter’s first expedition and a series of international exhibitions, this comprehensive guide combines contemporary understanding of ancient Egyptian afterlife with Vannini’s super high-resolution photography to cast an enthralling light on the voyage the pharaoh was thought to make after death.

Buried in the 14th century BC but unearthed by Howard Carter in 1922, the objects entombed with Tutankhamun are an invaluable window into a long-extinct belief system. Seen today, they create an intricate picture of how the ancient Egyptian people viewed the perilous journey to paradise, a utopian Egypt that could only be entered following the final judgment.

When acclaimed photographer Sandro Vannini started his work in Egypt in the late ’90s, a technological revolution was about to unfold. Emerging technologies enabled him to document murals, tombs, and artifacts in unprecedented detail. Using the time-consuming and strenuous multi-shot technique, Vannini produced complete photographic reproductions that revealed colours in their original tones with vivid intensity. Through these extraordinary images, we discover the objects’ quintessential features alongside the sophisticated and cleverly hidden details.

This comprehensive guide marks the centenary of Carter’s first excavations in the Valley of the Kings. These inestimable works endure through Vannini's photographs in their full, timeless splendour. From offerings and rituals to Osiris and eternal life, Vannini’s portfolio covers all facets of ancient Egyptian culture — but it is Tutankhamun’s unique legacy that dominates these images. With texts by the photographer, captions by specialist Mohamed Megahed, and chapter introductions from scholars in the field, King Tut. The Journey through the Underworld puts much-debated mysteries to rest. The learned yet accessible forewords come from distinguished Egyptologists including Salima Ikram and David P. Silverman. Insightful narratives, resplendent images, and a contemporary standpoint make this title a fitting tribute to the Boy King’s odyssey, illuminating an epoch that spanned an unimaginable 4,000 years.

The photographer

Sandro Vannini started his career as a photographer in 1982, and today lives and works between Italy and Egypt. Active in the latter since 1997, and with special permission to access sites forbidden to the public, he has compiled an extensive visual archive of ancient Egyptian culture. Along the way, he first pioneered techniques that enable the use of leading digital photography in the extreme temperatures in the Valley of the Kings. Vannini’s photographs are among those assisting the work of the Egyptian Museum in Cairo in the restoration of artifacts. Since 2016, he has been directing and producing television programs and documentary series in collaboration with Zahi Hawass, and is also the author of several books.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

This broad survey of modernism — the most scintillating creative era in Paris — spans all domains: architecture, art, design, entertainment, fashion, film, literature, and photography.

The lives and works of artists in every creative discipline transformed Paris into a crucible of modernity in the first half of the twentieth century. Profiles of eighty-eight influential artists, designers, photographers, architects, writers, and personalities — including Gabrielle Chanel, Eileen Gray, Jean Prouvé, Pablo Picasso, Tamara de Lempicka, Sonia and Robert Delaunay, Brassai, Man Ray, Robert Mallet-Stevens, Charlotte Perriand, Le Corbusier, Adolf Loos, Walter Benjamin, Josephine Baker, Jean Renoir, Gertrude Stein, and more — highlight the boundless creative energy and optimism that permeated the City of Light at this key historical juncture.

Richly illustrated alphabetical entries with cross-references to related topics are complemented by six thematic essays on cinema, fashion, graphic design, habitation, painting, and urban planning. A portfolio of original contemporary photographs — from the historic center to the suburbs of Paris — reveals traces of modernism in dozens of buildings and their interiors that are rarely open to the public.

This catalogue — published to accompany an exhibition at the Power Station of Art in Shanghai in the summer of 2023 — sketches a panorama of human invention across the vast creative landscape of Paris from 1914 to 1945.

About the Authors:

Jean-Louis Cohen is France’s most authoritative historian of twentieth-century architecture. He has published more than forty books, including Frank Gehry: The Masterpieces (Flammarion, 2021), and curated numerous architectural expositions. He is the Sheldon H. Solow Professor in the History of Architecture department at NYU’s Institute of Fine Arts and holds a chair at the Collège de France.

Guillemette Morel Journel is an architect and urbanist; she has published several books on Le Corbusier including Villa Savoye.

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Пролистать книгу Paris Moderne: 1914-1945 на сайте издательства.

A tribute to Mexico’s most important holiday, this extraordinary and definitive volume documents the immense creativity displayed by this popular annual celebration.

While there have been other books about the Day of the Dead, most are long out of print and aridly academic. This book features both exceptional “traditional” Indigenous material — such as vibrant folk art and crafts, flamboyant costumes and masks, special food and drink—but also a much more funky, modern approach that blends lively music and dance, colorful parades, cutting-edge contemporary street art, and a festive atmosphere that engages all of the senses with handmade altars, flowers, painted skulls, toys, paintings, murals, and other art objects.

Featuring hundreds of specially commissioned photographs and voluminous in-depth research, the book is lavishly illustrated and designed with an aesthetic that draws on both traditional material as well as Mexico’s contemporary street art style. Blending visual elements inspired by the country’s pre-Hispanic heritage, European influences, and modern art trends, the book explores the evolution of the Day of the Dead and the special role it plays. This book is the definitive, authentic resource for all things Day of the Dead.

About the Authors:

Déborah Holtz and Juan Carlos Mena have created acclaimed books about Mexican culture and society including Tacopedia, Pedro Friedeberg, and most recently Avocadomania, the 2022 Gourmand World Cookbook Award winner.

The Day of the Dead is a comprehensive, visual compilation of all forms of artistic material celebrating the world-famous annual Mexican festival. According to Mexican tradition, one day in the year belongs exclusively to the dead, a day on which they are granted celestial permission to visit friends and relatives on earth. In modern Mexico, festivities for the dead are idiosyncratic. Blending pre-Christian and Christian elements, celebrations for All Saints' and All Souls are unique in the Catholic world. Mexicans are as tormented by the idea of mortality as other nations, yet they honour and receive the departed with good cheer, visual splendour and imagination. Families welcome the returning souls with flowers, incense, candles and special foods. This is not a sombre occasion, but a time of feasting and reunion.

This anthology considers how the Day of the Dead has been celebrated in visual art and culture, from the traditional and iconic illustrations of skulls and singing skeletons by seminal lithographer José Guadalupe Posada to the paper cuts of Aaron Velasco Pacheco and representations of the festival by Diego Rivera and Frida Kahlo and in the folk art of the Linares family.

Curated by Julian Rothenstein and written by Chloë Sayer, an independent scholar and curator, specializing in Mexican art and culture, this is a must-have book for anyone interested in this extraordinary cultural event and its artistic representation.

"The Mexican...is familiar with death, jokes about it, caresses it, sleeps with it, celebrates it; it is one of his favourite toys and his most steadfast love." Octavio Paz, El laberinto de la soledad, (The Labyrinth of Solitude, 1961).

About the Author:

Chloë Sayer is an independent scholar and curator, specializing in Mexican art and culture. Based in London, she is a Fellow of the Royal Anthropological Institute of Great Britain. She lectures extensively, leads cultural tours to Mexico and has made ethnographic collections in Mexico and Belize for the British Museum.

Polynesian Pop. How Tiki became an American dream

Dive into one of the most colorful pop culture phenomena of mid-century America. In this handy edition gathering hundreds of images and ephemera, urban archaeologist Sven Kirsten takes us on a journey through Tiki history, from the first Pacific island exploration to Hollywood jungle fantasies and elaborate temples built to celebrate Tiki as the god of recreation.

Urban islands and bamboo hideaways set the stage for a pop culture phenomenon like no other. In mid-century America, the imaginative appeal of Tiki penetrated fashion, music, eating, drinking, and architecture.

In handy Bibliotheca Universalis format, Tiki Pop traces the development of Tiki as romantic vision and cultural appropriation. Follow Tiki from James Cook's first Pacific Island expeditions, through Gauguin's exotic paintings, Hollywood jungle fantasies, and elaborate temples erected to celebrate Tiki as the god of recreation. With hundreds of images, Tiki the pop icon unfolds from its earliest, enthusiastic beginnings to its spectacular downfall in the dawning awareness of the Western world’s colonial misdeeds.

This book is the culmination of the extensive research of Sven Kirsten, urban archaeologist, Tiki sage, and author of earlier TASCHEN investigations, The Book of Tiki and Tiki Modern, which first recovered the figure of Tiki from obscurity. In his widely lauded graphic style, Kirsten places venerable ancient godheads next to their Polynesian pop counterparts, movie posters next to matchboxes, comic strips next to Robinson Crusoe illustrations. The result is at once a visual feast, a piece of cultural history, and a tribute to a very particular vision of paradise.

The author:

Sven Kirsten is a cinematographer and urban archaeologist. It was his love for visuals that inspired him to collect and photograph the remnants of the forgotten culture of Polynesian pop in America, leading him to identify the Tiki as its icon. As a hunter and gatherer of lost artifacts and ephemera of this phenomenon, he began to see the pattern of a unique art form, and decided to publish his findings in the Book of Tiki in September 2000. Four books later, the cult of Tiki has made a spectacular comeback.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

A celebration of Ukraine’s rich cultural heritage, drawing on over 100 of the country’s most important works of art and architectural monuments from prehistory to the present.

Showcasing more than one hundred objects and buildings — from Byzantine icons and wooden churches to gold-domed cathedrals, folk art, and avant-garde masterpieces — Treasures of Ukraine chronicles the rich arts and heritage of a country currently facing destruction and devastation. The significance of the pieces is explained by renowned artists, curators, and critics, revealing the nation’s complex history and its impact on the present. From the development of ancient cultures like Trypillia and Scythia to early states such as Kyivan Rus and the Cossack Hetmanate, to the dawn of Modernism and the striking contemporary paintings and political artworks being produced today, Treasures of Ukraine reminds us that art and monuments represent powerful sources of collective memory and identity.

All proceeds will be donated to PEN Ukraine, to help Ukrainian authors in need and support museums in Ukraine.

Contents List:

Introduction: Andrey Kurkov
Map of Ukraine
1. Pre-history to Early History Andriy Puchkov
2. Kyivan Rus Christian A. Raffensperger
3. The Lithuanian–Ruthenian State Diana Klochko
4. The Ukrainian Baroque Era Maksym Yaremenko
5. The Nineteenth Century and the Fin-de-Siecle Alisa Lozhkina
6. Avant-Garde Art and Theatre Myroslava M. Mudrak
7. Soviet Rule, the Ukrainian SSR and Non-conformist Art Oleksandr Soloviev
8. Postmodern and Contemporary Art Victoria Burlaka
Appendix: Folk arts Alisa Lozhkina
Timeline of Ukrainian History

About the Authors:

Andrey Kurkov is Ukraine’s most acclaimed living novelist and public commentator. Andriy Puchkov is a specialist in Ukrainian architecture and author of more than two dozen monographs. Christian Raffensperger is professor of history and department chair at Wittenberg University. Diana Klochko is a prominent art historian and author of 65 Masterpieces of Ukrainian Art. Maksym Yaremenko is Professor at the Department of History at the National University of Kyiv Mohyla Academy. Alisa Lozhkina is an art historian, critic and author of Permanent Revolution: Art in Ukraine, XX–early XXI century. Myroslava Mudrak is Professor Emeritus of Art History at the Ohio State University and a member of the National Academy of Arts of Ukraine. Oleksandr Soloviev is a leading art critic and a local expert in contemporary art; Victoria Burlaka also specializes in contemporary art.

Discover the richness of contemporary creative culture from Ukraine with the best in interior design, architecture, art, photography, and fashion.

In the last decade, Ukraine has emerged as a hotbed of contemporary creativity, showcasing impressive contributions in fields such as interior design, fashion, architecture, photography, and art. The young Ukrainian creatives blend traditional crafts, materials, and aesthetics with a modern, cosmopolitan outlook.

Ukraine Rising is a book that celebrates the best of contemporary Ukrainian culture through compelling photography and insightful writing. It showcases the work of top creatives and features expert essays that offer a glimpse into the vibrant people, projects, and innovation the country has to offer. This collaboration with Ukrainian publisher Lucia Bondar is a testament to the creative spirit and energy of Ukrainians and a promise for a better future.

About the Author:

Lucia Bondar is an experienced media manager and publisher, the founder of CP Publishing. She has been working as a journalist and author of various professional publications for over 10 years. Under her leadership, CP Publishing has organized numerous well-known events in Ukraine, including an annual architecture and design forum.

Rising star Charles Fréger brings his inimitable eye to unfamiliar Japanese folk rituals

In rural Japan the passage of the year is marked by festivals and rituals that have changed little for centuries. Elaborate outfits, crafted from textiles as well as branches, straw and elements sourced from the natural environment, are donned in agricultural and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance.

Yokainoshima (literally ‘island of monsters’) explores the extraordinary range of masks, costumes and characters that reappear with each returning season. Charles Fréger’s photographs combine acute documentary attentiveness with individual portraiture in an entirely fresh and distinctive style.

Toshiharu Ito and Akihiro Hatanaka, both specialists in Japanese folk culture and anthropology, analyse Fréger’s photographs, setting the huge variety of eclectic clothing in ethnographic context and describing the local festivals, dances and rituals. A final illustrated reference section describes individual costumes and masks.

About the Author:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann and Portraits in Lace.

Venturing New Ways

Strict non-violence, the renunciation of possession and universal tolerance are the guiding principles of Jainism – a religious community that is found around the world, yet which is hardly known outside India. Combining masterpieces of Jain art from the collection of the Museum Rietberg, richly illustrated essays, and interviews with Jains from Europe, the US, and India, Being Jain: Art and Culture of an Indian Religion provides impressive insights into the unique lifestyle and ethical values cultivated by Jainism over many centuries. The catalogue explores the contributions that the living tradition of contemporary Jainism can make to deal with the fundamental challenges the world faces today: climate change, rampant consumerism, ethnic and religious intolerance, and social inequality. A board game inside the book encourages readers to reflect on their own everyday behavior and to venture out in new directions.

Sparking joy: this book delivers the rainbow-splashed celebration we are all seeking after a year of pandemic fatigue and lockdown blues. It is a return to innocence and having fun.

Spectacularly colorful and packed with joie de vivre, this romp through 50 of the most colorful places on earth — from Greece to Japan, Indonesia to Italy — delivers a jolt of optimism and enthusiasm. From the Zhangye Danxia landform in Gansu, China, to the rainbow mountain in the Peruvian Andes, stunning photographs are paired with inspirational quotes from Mikati, whose enthusiasm for travel is intoxi-cating. Driven by her unabashedly optimistic spirit, Mikati has travelled the globe to gather — in her first book — a plethora of visual wonders: ancient monoliths, scenic islands, stunning artwork, electric cityscapes, white-sand seashores, ancient cobbled streets, and both classic and innovative architecture. The infectious, whimsical spirit that carries throughout these pages is reflective of Mikati’s own ultra-upbeat outlook on life.

About the Author:

Lebanese-born, Paris-raised Mira Mikati pursued her fashion ambitions from a young age, attending Paris’s Ecole Superieure des Arts et Techniques de la Mode before gaining certificates from Parsons New York and Central Saint Martins. Her now-eponymous label was conceived in the early 2000s, with Selfridges and Bon Marche among the first to pick up orders. Her assembly of wares reflects the carefree and effortless style of a summer holiday. In spring 2020, in the midst of a global pandemic, Mikati opened her own boutique, Happy House, on London’s Walton Street.

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Пролистать книгу Colorful World

A stunning visual survey of the arts scene of Cuba since the 1980s, this is a must-have book for all contemporary art lovers.

This unique volume describes how powerful the Cuban art experience has become, especially after the emergence of Cuba's strong generation of young creatives on the Latin American art scene in the 1980s. It includes twenty-eight artists selected by the curators and introduced through contributions and interviews.

Today, many of the contemporary Cuban artists can be found in the collections of some of the world's premier museums and art galleries. Now that Cuba and the United States have opened a new chapter in their relations, Cuban art is poised to be the next big thing in the art world.

About the Author:

Laura Salas Redondo has worked as an independent curator with important artists (such as Michelangelo Pistoletto, Daniel Buren, and Anish Kapoor) and she has curated various projects for the 12 Havana Biennial. Jérôme Sans is a curator, art critic, artistic director, and director of internationally renowned institutions. He is the cofounder and acclaimed director of the Palais de Tokyo in Paris, which he headed until 2006.

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Пролистать книгу Cuba Talks: Interviews with 28 Contemporary Artists

The first book on artist, musician, and DJ Eamon Ore-Giron who mines the complex nature of Latinx identity, the history of the Americas, and the many legacies of abstraction in art.  

Over the course of his career, Eamon Ore-Giron has examined the personal and historical ramifications of cultural hybridity. Raised in Tucson, Ore-Giron is inspired by his roots in the American Southwest, his visits to his father’s hometown of Huancayo, Peru, and his time spent as a practicing artist in California and Mexico. This catalogue brings together for the first time three pivotal chapters in Ore-Giron’s career: his Southwest and Peruvian-inspired figurative works from the 2000s; his paintings from the 2010s that engaged elements of both figuration and abstraction, including an ongoing series focused on Mesoamerican deities; and the sublime gold-based paintings from his recent “Infinite Regress” series.

Curator Miranda Lash, along with celebrated scholars C. Ondine Chavoya and Jace Clayton, explore Ore-Giron’s approach to de-colonizing the medium of painting, his impact within in the Los Angeles art scene, and his seminal work as a DJ who highlights the intersections between North and South American sound.

About the Author:

Miranda Lash is the Ellen Bruss Senior Curator at the Museum of Contemporary Art Denver. C. Ondine Chavoya is a Professor of Art History and Latina/o/x Studies at Williams College in Williamstown, Massachusetts. Jace Clayton is an artist and writer based in New York City, also known for his work as DJ /rupture. 

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Пролистать книгу Eamon Ore-Giron: Competing with Lightning